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REVIEW Asada Akira: Waiting for Currentzis

ARTICLE the post-COVID-19 World: Hidetaka Ishida

ARTICLE Aichi Triennale 2019 Talk: HO Tzu Nyen (AT2019 artist) × ASADA Akira (Critic) / On Hotel Aporia

PICKS The 37th Great Spring Second-Hand Book Sale

PICKS Hitakisai (Bonfire Festival)

PICKS Kurama Fire Festival

PICKS Jidai Matsuri

PICKS Zuiki Matsuri

PICKS Nuit Blanche KYOTO 2018

PICKS Kyoto Experiment 2018 PICKS Kamigamo-Jinja Shrine – Choyo Jinji and Crow Sumo
PICKS Gozan Okuribi
PICKS The 31th Shimogamo Noryo Secondhand Book Fair PICKS Kyoto Gojozaka Pottery Festival
PICKS Brigsby Bear
PICKS Gion Festival
PICKS Nagoshi no Oharae / Great Mid-Year Purification
PICKS The Myriad Forms of Visual Art: 196 Works with 19 Themes ARTICLE Iizawa Kotaro: A killer blow to Araki’s career?
PICKS Kamo Festival (Aoi Festival)
PICKS The Only Living Boy in New York
PICKS The 36th Great Spring Second-Hand Book Sale PICKS The 9th Life of Louis Drax PICKS Travelers: Stepping into the Unknown PICKS Thinking skills
PICKS Mori Koichi/Mashimo Takehisa between: connection in sensory space PICKS Tomoeda Nozomi: Comparisons PICKS Kosugi Takehisa: A musical picnic PICKS Hitakisai (Bonfire Festival)
ARTICLE Otani Yoshio: Heiner Goebbels -Black on White-
PICKS Jidai Matsuri
PICKS Kurama Fire Festival
PICKS Kyoto Experiment 2017 PICKS Zuiki Matsuri
PICKS Nuit Blanche KYOTO 2017
PICKS Port City Kobe Art Festival
PICKS Art Camp Tango 2017 PICKS Kamigamo-Jinja Shrine – Choyo Jinji and Crow Sumo
PICKS Gozan Okuribi
PICKS The 30th Shimogamo Noryo Secondhand Book Fair Lecture Heiner Goebbels “Aesthetics of Absence” PICKS Kyoto Gojozaka Pottery Festival
Review Shimizu Minoru: Another narrative – In the blank space of “Abstract Art as Impact”: Okazaki Kenjiro PICKS Gion Festival
PICKS Nagoshi no Oharae / Great Mid-Year Purification
PICKS Creators@Kamogawa
PICKS Kamo Festival (Aoi Festival)
PICKS Gisèle Vienne: The Ventriloquists Convention PICKS Kyotographie International Photography Festival 2017 PICKS Hardcore Henry
PICKS The 35rd Great Spring Second-Hand Book Sale PICKS MOKK project05: Pirka PICKS I, Daniel Blake
PICKS endless: The Paintings of YAMADA Masaaki PICKS Creators@Kamogawa
PICKS Peeping Tom: Vader (Father) PICKS We’re Gonna Go Dancing !! Second vol. 7 PICKS Graphics and Music PICKS Creators@Kamogawa
PICKS Kawai + Okamura: Mood Hall/Mood Hole PICKS The State of this World: Thought and the Arts BLOG Ozaki Tetsuya: Luis Garay: “El lugar imposible” PICKS The Satin Slipper PICKS KYOTO EXPERIMENT 2016 AUTUMN
PICKS Martin Creed
PICKS Hitakisai (Bonfire Festival)
PICKS La Secret de la Chambre Noir
PICKS Celestial Wives of the Meadow Mari PICKS Kurama Fire Festival
PICKS Jidai Matsuri
BLOG Ozaki Tetsuya: Doubts about the handover ceremony at the closing of the Rio Olympics REVIEW Saito Tamaki: The Shingu performance of Nichirin no tsubasa, with art and direction by Yanagi Miwa PICKS Zuiki Matsuri
PICKS Materiality & Immateriality – Design and Innovation PICKS Samukawa Akiko – The Colour Of Sound That Permeates The Unknown PICKS Creators@Kamogawa: What is a Night Mayor?
PICKS Paco de Lucía: A Journey
PICKS Kamigamo-Jinja Shrine – Choyo Jinji and Crow Sumo
PICKS S/N x Girls Activism
PICKS Kyoto University Academic Day 2016
PICKS Standing Tall
PICKS Truth PICKS Looking For Her
PICKS Our Last Tango
PICKS Gozan Okuribi
PICKS The 29th Shimogamo Noryo Secondhand Book Fair REVIEW Okazaki Kenjiro: Trisha Brown Dance Company review – The power of a smile PICKS Kyoto Gojozaka Pottery Festival
REVIEW Ishitani Haruhiro: Jump over the line: On Furuhashi Teiji’s eternal LOVERS PICKS The Man Who Fell To Earth PICKS Horse Money
PICKS Sasaki Shun Solo Exhibition: Utaga Kikoetekuru Kurashi (Tabisaki to Yubisaki) PICKS Mr. Dynamite: The Rose of James Brown
PICKS Gion Festival
PICKS Kasai Akira x Yamada Setsuko: Burning Ears
PICKS Creators@Kamogawa
PICKS The Teacher’s Diary
PICKS Chronic
PICKS Babette’s Feast [Digitally Remastered]
PICKS Nagoshi no Oharae / Great Mid-Year Purification
PICKS 45 Years
PICKS Sleep Exhibition PICKS 10th Kansai Queer Film Festival 2016 PICKS The Self-Portraits of YASUMASA MORIMURA: My Art, My Story, My Art History PICKS Syndromes and a Century
PICKS The 34rd Great Spring Second-Hand Book Sale REVIEW Asada Akira: Takatani Shiro’s ST/LL
PICKS The Big Short
PICKS The World of Yun Suknam
PICKS KYOTO EXPERIMENT SPRING 2016
PICKS Shunga
PICKS The Martian
PICKS rooms – A Day of Art and Music
PICKS Yishay Garbasz: The long story of the contacts of “the other side” PICKS Foodies: The Culinary Jetset PICKS Ecce Homo: The Human Images in Contemporary Art PICKS Yuji Takeoka : From A Pedestal Into Space PICKS Gaze at the Times -Martine Franck- PICKS The Cut
PICKS Creators@Kamogawa
PICKS Yoshida Shrine Setsubun Festival
PICKS My Golden Days PICKS Violette REVIEW Hirayoshi Yukihiro: Molds and infra-thin: Okazaki Kazuo/Onishi Nobuaki “Born Twice” PICKS Finding Vivian Maier
PICKS Art and Craft
PICKS Sagrada: The Mystery of Creation
PICKS The Strange Case of Angelica PICKS Nostalgia for the light, The Pearl Button PICKS Takatani Shiro New Performance Work – ST/LL Article Dance, Sculpture, Body – A conversation between Damien Jalet and Nawa Kohei PICKS Clouds of Sils Maria
PICKS La Famille Bélier PICKS The Legacy of Frida Kahlo
PICKS Hoki Nobuya
PICKS Ann Lislegaard – Shadow Ya Ya
PICKS Je m’appelle Hmmm… PICKS Creators@Kamogawa – Japan/Germany Creators TALK PICKS Hitakisai (Bonfire Festival)
PICKS The 39th Kyoto Antiquarian Book Fair PICKS 13 Minutes
PICKS The Captive PICKS Kurama Fire Festival
PICKS Test
PICKS Altman
PICKS A Little Chaos
PICKS Hunt the World REPORT Hashimoto Azusa – OPEN GATE An ever-changing exhibition
REPORT Hatanaka Minoru – OPEN GATE An ever-changing exhibition
REVIEW Miyagi Futoshi: Wolfgang Tillmans / “Your Body is Yours”
The world’s smaller details, “encouragement” for the out of place
PICKS Zuiki Matsuri
PICKS EDEN
PICKS Shirai Tsuyoshi, Kim Seong-Yon Primary Impulse (Video and Photos by Araki Nobuyoshi) PICKS The Wonders
PICKS Recollect, Gaze, Material in Common REVIEW Ishitani Haruhiro: Dojima River Biennale 2015 Take Me To The River
PICKS Tracing the Future – Hatakeyama Naoya PICKS Kamigamo-Jinja Shrine – Choyo Jinji and Crow Sumo
BLOG Thomasson Longmarsh’s Journal No. 12 : Brisbeen Special PICKS A Pigeon Sat on a Branch Reflecting on Existence
BLOG Thomasson Longmarsh’s Journal No. 11 : Take Me From the River PICKS Gozan Okuribi
PICKS Wolfgang Tillmans -Your Body is Yours- PICKS Sebastian Salgado / The Salt of the Earth PICKS SEALDs KANSAI -Friday Demonstration against the Security Bills- BLOG Thomasson Longmarsh’s Journal No. 10 : NAZE AZEN
PICKS The 28th Shimogamo Noryo Secondhand Book Fair BLOG Thomasson Longmarsh’s Journal No. 9 : Reclaim (Orestralia) PICKS Kyoto Gojozaka Pottery Festival 2015
BLOG Thomasson Longmarsh’s Journal No. 8 : Good Son Sets, Bad Moon Rising
BLOG Thomasson Longmarsh’s Journal No. 7 : freewarjazzmanga
BLOG Thomasson Longmarsh’s Journal No. 6 : Erasism
PICKS Gion Festival
BLOG Thomasson Longmarsh’s Journal No. 5 : Evidence
PICKS The Congress
PICKS Takamatsu Jiro: Trajectory of Work
PICKS Nagoshi no Oharae / Great Mid-Year Purification
PICKS Elephant Song BLOG Thomasson Longmarsh’s Journal No. 4 : Twin Moons
REVIEW Hattori Hiroyuki: Mise Natsunosuke and Tohoku-ga – Can a new order arise from chaos?
BLOG Thomasson Longmarsh’s Journal Part 3: In Search of Dodger Ballen
REVIEW Shimizu Minoru: Tristes “tribes” (KYOTOGRAPHIE 2015: international photography festival) BLOG Thomasson Longmarsh’s Journal – Sophiagraphie & Parakyoto Part 2 REPORT Ikeda Kosuke: In a city astir with objects and nature / A record of my residence in Tainan BLOG Thomasson Longmarsh’s Journal – Sophiagraphie & Parakyoto Part 1 PICKS A Gentle Woman (Digitally Remastered)
PICKS The Zero Theorem
PICKS Yokoo Tadanori Cut & Paste
PICKS Kamo Festival (Aoi Festival)
PICKS Lars Müller BOOKS Analogue Reality PICKS Mommy
PICKS The Tribe
PICKS A Symphony of Summits: The Alps From Above PICKS The 33rd Great Spring Second-Hand Book Sale PICKS (Index of related articles) PARASOPHIA: Kyoto International Festival of Contemporary Culture 2015 REVIEW Takahashi Satoru: PARASOPHIA – Institutional Engagement
REVIEW Sawa Takashi: Malevolent set-building PICKS Magic in the Moonlight PICKS Birdman: Or (The Unexpected Virtue of Ignorance) REVIEW Fukunaga Shin: For the First Kyoto International Festival of Contemporary Culture PICKS Papusza PICKS Hard to be a God
PICKS phono/graph -sound, letters, graphics- REVIEW Asada Akira: PARA-PARASOPHIA: On the sidelines at the Kyoto International Festival of Contemporary Culture PICKS The Imitation Game
PICKS The Theory of Everything PICKS Song One
Kyoto Movie Map (ART GRID KYOTO) REVIEW Asada Akira:The Paris terror attacks and Michel Houellebecq’s Submission
REVIEW Hashimoto Azusa: Opening the ears to myriad musical possibilities – Asian Meeting Festival 2015, Kyoto PICKS TéTé Japan Tour 2015: Folky Quirky Tour with Kim Wooyong PICKS PARASOPHIA: Kyoto International Festival of Contemporary Culture 2015 PICKS Life of Riley
PICKS Shoah
PICKS Still Life
PICKS The Disappearance of Eleanor Rigby PICKS Elena + The Banishment
PICKS Adieu au Langage
PICKS MOVING 2015
PICKS Big Eyes
PICKS Yoshida Shrine Setsubun Festival
PICKS Alive Inside PICKS National Gallery
PICKS Jimmy’s Hall
PICKS Creators@Kamogawa
PICKS Mittsommernachtstango
PICKS Fiona Tan Terminology PICKS The Hanshin/Awaji Earthquake: 20 Years After PICKS Map to the Stars PICKS Venus in Fur
REVIEW Hirayoshi Yukihiro / Odani Motohiko: Terminal Moment
PICKS Creators@Kamogawa
PICKS The Young and Prodigious T.S. Spivet PICKS Devil’s Knot
PICKS NOVEMBER SESSION 2014〈DENMARK×JAPAN〉
PICKS Calm at Sea
PICKS The Double
REVIEW Asada Akira: Doris Salcedo in Hiroshima
PICKS Hitakisai (Bonfire Festival)
PICKS Morishita Maki × Tabaimo “Sabi kara deta mi”
PICKS Tom à la ferme
PICKS Jealousy
PICKS Himself He Cooks
PICKS The 38th Kyoto Antiquarian Book Fair PICKS Kurama Fire Festival
PICKS KYOTO EXPERIMENT 2014 Official Program / Kaneuji Teppei “Cubed Liquid, Metallic Memory” Picks The Notebook
Picks Outside a Window Awaits a Journey of Love
Picks Leviathan Picks Peter Brook – The Tightrope Picks Nuit Blanche Kyoto 2014
Picks Zuiki Matsuri
Picks My Stuff
Picks Yves Saint Laurent
Picks The Missing Picture
Picks Stories We Tell
Picks [Japan-Germany Creator’s TALK] Creators@Kamogawa “Memory and Recording” Picks Kamigamo-Jinja Shrine – Choyo Jinji and Crow Sumo
Picks mama!milk Tokinoatosaki
Picks Promised Land
Picks Into Great Silence
Kyoto Trend Setter Interview Series Markus Wernhard (Director, Goethe-Institut Villa Kamogawa) Picks The Queen of Versailles
Picks Gozan Okuribi
Picks Nora Chipaumire “Portrait of Myself as My Father” “Neppu” Picks Ida
Picks The 27th Shimogamo Noryo Secondhand Book Fair Picks MOVING Live 0
Picks Kyoto Gojozaka Pottery Festival 2014
Picks KYOTO EXPERIMENT 2014
Picks Balthus: A Retrospective Picks GUTAI × INTERNATIONAL Gutai Umi wo Wataru
Picks ‘Til Madness do us Part
REVIEW Shimizu Minoru:Moving outside la chambre claire (Camera Lucida) -Takatani Shiro Topograph/ frost frame Europe 1987 ) REVIEW Ukai Satoshi: Stunned and in stitches – the lingering aftereffects of “Lady Aoi” and “The Double Shadow” (Watanabe Moriaki/Takatani Shiro) REVIEW Ishitani Haruhiro: Time machine in a black box—William Kentridge’s Refusal of Time Conversation between Nakahara Kodai and Sekiguchi Atsuhito : 2. In Kyoto
Conversations between Nakahara Kodai and Sekiguchi Atsuhito : 1. “KODAI NAKAHARA: Migration or Retrospective” (Okayama Prefectural Museum of Art)

REVIEW Kataoka Mami: A universal view of the world built upon human closeness:
Does “little” mean “little”?

What’s New:

PICKS ART Realizing the Dream

PICKS ART INAGAKI Tomoko: Project “Mirrors”

PICKS MOVIE Robert Bresson: Four Nights of a Dreamer

PICKS ART KIMURA Yuki: Interior 6L01〜107T

PICKS STAGE 22nd Metro Kohaku Singing Contest

REVIEW Ozaki Tetsuya: Miyanaga Aiko: Nakasora – The Reason for Eternity

REVIEW Fukunaga Shin: Four artists from Her Name is Abstra

REVIEW Sato Yuichi: Mallarmé’s Panel: About Mallarmé Project III

ARTICLE Miyanaga Aiko: On Naka-sora

ARTICLE An Interview with Asai Yusuke (Artist)

ARTICLE, TALK & INTERVIEW
新着原稿+記事アーカイブ New & Past Contributions
To our readers
To our readers
  Please note that updates to REALKYOTO will cease at the end of De...
the post-COVID-19 World: <br />For the great epoché<br>Explaining the “systemic crisis” to our children<br> Hidetaka Ishida
the post-COVID-19 World:
For the great epoché
Explaining the “systemic crisis” to our children
Hidetaka Ishida
COVID-19, an infectious disease caused by the new coronavirus, is posing...
Aichi Triennale 2019 Talk: <br/>HO Tzu Nyen (AT2019 artist) × ASADA Akira (Critic)<br/> On <em>Hotel Aporia</em>
Aichi Triennale 2019 Talk:
HO Tzu Nyen (AT2019 artist) × ASADA Akira (Critic)
On Hotel Aporia
The day before the ending of the Aichi Triennale 2019, in the middle of ...
Heiner Goebbels: <em>Black on White</em>
Heiner Goebbels: Black on White
Otani Yoshio I saw Heiner Goebbels when Cassiber toured to Japan for the...

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