{"id":399,"date":"2012-08-31T23:51:11","date_gmt":"2012-08-31T14:51:11","guid":{"rendered":"https:\/\/realkyoto.jp\/htdocs\/?page_id=399"},"modified":"2020-12-28T18:48:43","modified_gmt":"2020-12-28T09:48:43","slug":"399-2","status":"publish","type":"page","link":"https:\/\/realkyoto.jp\/en\/","title":{"rendered":"TOP"},"content":{"rendered":"To our readers<\/a><\/strong><\/font>
\nREVIEW Asada Akira: Waiting for Currentzis<\/a>
\nARTICLE the post-COVID-19 World: Hidetaka Ishida<\/a>
\nARTICLE Aichi Triennale 2019 Talk: HO Tzu Nyen (AT2019 artist) \u00d7 ASADA Akira (Critic) \/ On Hotel Aporia<\/a>
\nPICKS The 37th Great Spring Second-Hand Book Sale<\/a>
\nPICKS Hitakisai (Bonfire Festival)<\/a>
\nPICKS Kurama Fire Festival<\/a>
\nPICKS Jidai Matsuri<\/a>
\nPICKS Zuiki Matsuri<\/a>
\nPICKS Nuit Blanche KYOTO 2018<\/a>
\nPICKS Kyoto Experiment 2018<\/a>\nPICKS Kamigamo-Jinja Shrine \u2013 Choyo Jinji and Crow Sumo<\/a>
\nPICKS Gozan Okuribi<\/a>
\nPICKS The 31th Shimogamo Noryo Secondhand Book Fair<\/a>\nPICKS Kyoto Gojozaka Pottery Festival<\/a>
\nPICKS Brigsby Bear<\/a>
\nPICKS Gion Festival<\/a>
\nPICKS Nagoshi no Oharae \/ Great Mid-Year Purification<\/a>
\nPICKS The Myriad Forms of Visual Art: 196 Works with 19 Themes<\/a>\nARTICLE Iizawa Kotaro: A killer blow to Araki’s career?<\/a>
\nPICKS Kamo Festival (Aoi Festival)<\/a>
\nPICKS The Only Living Boy in New York<\/a>
\nPICKS The 36th Great Spring Second-Hand Book Sale<\/a>\nPICKS The 9th Life of Louis Drax<\/a>\nPICKS Travelers: Stepping into the Unknown<\/a>\nPICKS Thinking skills<\/a>
\nPICKS Mori Koichi\/Mashimo Takehisa\u3000between: connection in sensory space<\/a>\nPICKS Tomoeda Nozomi: Comparisons<\/a>\nPICKS Kosugi Takehisa: A musical picnic<\/a>\nPICKS Hitakisai (Bonfire Festival)<\/a>
\nARTICLE Otani Yoshio: Heiner Goebbels -Black on White-<\/a>
\nPICKS Jidai Matsuri<\/a>
\nPICKS Kurama Fire Festival<\/a>
\nPICKS Kyoto Experiment 2017<\/a>\nPICKS Zuiki Matsuri<\/a>
\nPICKS Nuit Blanche KYOTO 2017<\/a>
\nPICKS Port City Kobe Art Festival<\/a>
\nPICKS Art Camp Tango 2017<\/a>\nPICKS Kamigamo-Jinja Shrine \u2013 Choyo Jinji and Crow Sumo<\/a>
\nPICKS Gozan Okuribi<\/a>
\nPICKS The 30th Shimogamo Noryo Secondhand Book Fair<\/a>\nLecture Heiner Goebbels \u201cAesthetics of Absence\u201d<\/a>\nPICKS Kyoto Gojozaka Pottery Festival<\/a>
\nReview Shimizu Minoru: Another narrative \u2013 In the blank space of \u201cAbstract Art as Impact\u201d: Okazaki Kenjiro<\/a>\nPICKS Gion Festival<\/a>
\nPICKS Nagoshi no Oharae \/ Great Mid-Year Purification<\/a>
\nPICKS Creators@Kamogawa<\/a>
\nPICKS Kamo Festival (Aoi Festival)<\/a>
\nPICKS Gis\u00e8le Vienne: The Ventriloquists Convention<\/a>\nPICKS Kyotographie International Photography Festival 2017<\/a>\nPICKS Hardcore Henry<\/a>
\nPICKS The 35rd Great Spring Second-Hand Book Sale<\/a>\nPICKS MOKK project05: Pirka<\/a>\nPICKS I, Daniel Blake<\/a>
\nPICKS endless: The Paintings of YAMADA Masaaki<\/a>\nPICKS Creators@Kamogawa<\/a>
\nPICKS Peeping Tom: Vader <\/em>(Father)<\/a>\nPICKS We\u2019re Gonna Go Dancing !! Second vol. 7<\/a>\nPICKS Graphics and Music<\/a>\nPICKS Creators@Kamogawa<\/a>
\nPICKS Kawai + Okamura: Mood Hall\/Mood Hole<\/a>\nPICKS The State of this World: Thought and the Arts<\/a>\nBLOG Ozaki Tetsuya: Luis Garay: “El lugar imposible”<\/a>\nPICKS The Satin Slipper<\/a>\nPICKS KYOTO EXPERIMENT 2016 AUTUMN<\/a>
\nPICKS Martin Creed<\/a>
\nPICKS Hitakisai (Bonfire Festival)<\/a>
\nPICKS La Secret de la Chambre Noir<\/a>
\nPICKS Celestial Wives of the Meadow Mari<\/a>\nPICKS Kurama Fire Festival<\/a>
\nPICKS Jidai Matsuri<\/a>
\nBLOG Ozaki Tetsuya: Doubts about the handover ceremony at the closing of the Rio Olympics<\/a>\nREVIEW Saito Tamaki: The Shingu performance of Nichirin no tsubasa, with art and direction by Yanagi Miwa<\/a>\nPICKS Zuiki Matsuri<\/a>
\nPICKS Materiality & Immateriality \u2013 Design and Innovation<\/a>\nPICKS Samukawa Akiko \u2013 The Colour Of Sound That Permeates The Unknown<\/a>\nPICKS Creators@Kamogawa: What is a Night Mayor?<\/a>
\nPICKS Paco de Luc\u00eda: A Journey<\/a>
\nPICKS Kamigamo-Jinja Shrine \u2013 Choyo Jinji and Crow Sumo<\/a>
\nPICKS S\/N x Girls Activism<\/a>
\nPICKS Kyoto University Academic Day 2016<\/a>
\nPICKS Standing Tall<\/a>
\nPICKS Truth<\/a>\nPICKS Looking For Her<\/a>
\nPICKS Our Last Tango<\/a>
\nPICKS Gozan Okuribi<\/a>
\nPICKS The 29th Shimogamo Noryo Secondhand Book Fair<\/a>\nREVIEW Okazaki Kenjiro: Trisha Brown Dance Company review – The power of a smile<\/a>\nPICKS Kyoto Gojozaka Pottery Festival<\/a>
\nREVIEW Ishitani Haruhiro: Jump over the line: On Furuhashi Teiji\u2019s eternal LOVERS<\/a>\nPICKS The Man Who Fell To Earth<\/a>\nPICKS Horse Money<\/a>
\nPICKS Sasaki Shun Solo Exhibition: Utaga Kikoetekuru Kurashi (Tabisaki to Yubisaki)<\/a>\nPICKS Mr. Dynamite: The Rose of James Brown<\/a>
\nPICKS Gion Festival<\/a>
\nPICKS Kasai Akira x Yamada Setsuko: Burning Ears<\/a>
\nPICKS Creators@Kamogawa<\/a>
\nPICKS The Teacher\u2019s Diary<\/a>
\nPICKS Chronic<\/a>
\nPICKS Babette\u2019s Feast [Digitally Remastered]<\/a>
\nPICKS Nagoshi no Oharae \/ Great Mid-Year Purification<\/a>
\nPICKS 45 Years<\/a>
\nPICKS Sleep Exhibition<\/a>\nPICKS 10th Kansai Queer Film Festival 2016<\/a>\nPICKS The Self-Portraits of YASUMASA MORIMURA: My Art, My Story, My Art History<\/a>\nPICKS Syndromes and a Century<\/a>
\nPICKS The 34rd Great Spring Second-Hand Book Sale<\/a>\nREVIEW Asada Akira: Takatani Shiro\u2019s ST\/LL<\/a>
\nPICKS The Big Short<\/a>
\nPICKS The World of Yun Suknam<\/a>
\nPICKS KYOTO EXPERIMENT SPRING 2016<\/a>
\nPICKS Shunga<\/a>
\nPICKS The Martian<\/a>
\nPICKS rooms \u2013 A Day of Art and Music<\/a>
\nPICKS Yishay Garbasz: The long story of the contacts of \u201cthe other side\u201d<\/a>\nPICKS Foodies: The Culinary Jetset<\/a>\nPICKS Ecce Homo: The Human Images in Contemporary Art<\/a>\nPICKS Yuji Takeoka : From A Pedestal Into Space<\/a>\nPICKS Gaze at the Times -Martine Franck-<\/a>\nPICKS The Cut<\/a>
\nPICKS Creators@Kamogawa<\/a>
\nPICKS Yoshida Shrine Setsubun Festival<\/a>
\nPICKS My Golden Days<\/a>\nPICKS Violette<\/a>\nREVIEW Hirayoshi Yukihiro: Molds and infra-thin: Okazaki Kazuo\/Onishi Nobuaki \u201cBorn Twice\u201d<\/a>\nPICKS Finding Vivian Maier<\/a>
\nPICKS Art and Craft<\/a>
\nPICKS Sagrada: The Mystery of Creation<\/a>
\nPICKS The Strange Case of Angelica<\/a>\nPICKS Nostalgia for the light, The Pearl Button<\/a>\nPICKS Takatani Shiro New Performance Work \u2013 ST\/LL<\/a>\nArticle Dance, Sculpture, Body \u2013 A conversation between Damien Jalet and Nawa Kohei<\/a>\nPICKS Clouds of Sils Maria<\/a>
\nPICKS La Famille B\u00e9lier<\/a>\nPICKS The Legacy of Frida Kahlo<\/a>
\nPICKS Hoki Nobuya<\/a>
\nPICKS Ann Lislegaard \u2013 Shadow Ya Ya<\/a>
\nPICKS Je m\u2019appelle Hmmm\u2026<\/a>\nPICKS Creators@Kamogawa \u2013 Japan\/Germany Creators TALK<\/a>\nPICKS Hitakisai (Bonfire Festival)<\/a>
\nPICKS The 39th Kyoto Antiquarian Book Fair<\/a>\nPICKS 13 Minutes<\/a>
\nPICKS The Captive<\/a>\nPICKS Kurama Fire Festival<\/a>
\nPICKS Test<\/a>
\nPICKS Altman<\/a>
\nPICKS A Little Chaos<\/a>
\nPICKS Hunt the World<\/a>\nREPORT Hashimoto Azusa \u2013 OPEN GATE An ever-changing exhibition<\/a>
\nREPORT Hatanaka Minoru – OPEN GATE An ever-changing exhibition<\/a>
\nREVIEW Miyagi Futoshi: Wolfgang Tillmans \/ “Your Body is Yours” <\/br>The world’s smaller details, “encouragement” for the out of place<\/a>\nPICKS Zuiki Matsuri<\/a>
\nPICKS EDEN<\/a>
\nPICKS Shirai Tsuyoshi, Kim Seong-Yon Primary Impulse (Video and Photos by Araki Nobuyoshi)<\/a>\nPICKS The Wonders<\/a>
\nPICKS Recollect, Gaze, Material in Common<\/a>\nREVIEW Ishitani Haruhiro: Dojima River Biennale 2015 Take Me To The River<\/a>
\nPICKS Tracing the Future – Hatakeyama Naoya<\/a>\nPICKS Kamigamo-Jinja Shrine \u2013 Choyo Jinji and Crow Sumo<\/a>
\nBLOG Thomasson Longmarsh’s Journal No. 12 : Brisbeen Special<\/a>\nPICKS A Pigeon Sat on a Branch Reflecting on Existence<\/a>
\nBLOG Thomasson Longmarsh’s Journal No. 11 : Take Me From the River<\/a>\nPICKS Gozan Okuribi<\/a>
\nPICKS Wolfgang Tillmans -Your Body is Yours-<\/a>\nPICKS Sebastian Salgado \/ The Salt of the Earth<\/a>\nPICKS SEALDs KANSAI -Friday Demonstration against the Security Bills-<\/a>\nBLOG Thomasson Longmarsh’s Journal No. 10 : NAZE AZEN<\/a>
\nPICKS The 28th Shimogamo Noryo Secondhand Book Fair<\/a>\nBLOG Thomasson Longmarsh’s Journal No. 9 : Reclaim (Orestralia)<\/a>\nPICKS Kyoto Gojozaka Pottery Festival 2015<\/a>
\nBLOG Thomasson Longmarsh’s Journal No. 8 : Good Son Sets, Bad Moon Rising<\/a>
\nBLOG Thomasson Longmarsh’s Journal No. 7 : freewarjazzmanga<\/a>
\nBLOG Thomasson Longmarsh\u2019s Journal No. 6 : Erasism<\/a>
\nPICKS Gion Festival<\/a>
\nBLOG Thomasson Longmarsh\u2019s Journal No. 5 : Evidence<\/a>
\nPICKS The Congress<\/a>
\nPICKS Takamatsu Jiro: Trajectory of Work<\/a>
\nPICKS Nagoshi no Oharae \/ Great Mid-Year Purification<\/a>
\nPICKS Elephant Song<\/a>\nBLOG Thomasson Longmarsh\u2019s Journal No. 4 : Twin Moons<\/a>
\nREVIEW Hattori Hiroyuki: Mise Natsunosuke and Tohoku-ga \u2013 Can a new order arise from chaos?<\/a>
\nBLOG Thomasson Longmarsh\u2019s Journal Part 3: In Search of Dodger Ballen<\/a>
\nREVIEW Shimizu Minoru: Tristes \u201ctribes\u201d (KYOTOGRAPHIE 2015: international photography festival)<\/a>\nBLOG Thomasson Longmarsh\u2019s Journal \u2013 Sophiagraphie & Parakyoto Part 2<\/a>\nREPORT Ikeda Kosuke: In a city astir with objects and nature \/ A record of my residence in Tainan<\/a>\nBLOG Thomasson Longmarsh\u2019s Journal \u2013 Sophiagraphie & Parakyoto Part 1<\/a>\nPICKS A Gentle Woman (Digitally Remastered)<\/a>
\nPICKS The Zero Theorem<\/a>
\nPICKS Yokoo Tadanori Cut & Paste<\/a>
\nPICKS Kamo Festival (Aoi Festival)<\/a>
\nPICKS Lars M\u00fcller BOOKS Analogue Reality<\/a>\nPICKS Mommy<\/a>
\nPICKS The Tribe<\/a>
\nPICKS A Symphony of Summits: The Alps From Above<\/a>\nPICKS The 33rd Great Spring Second-Hand Book Sale<\/a>\nPICKS (Index of related articles) PARASOPHIA: Kyoto International Festival of Contemporary Culture 2015<\/a>\nREVIEW Takahashi Satoru: PARASOPHIA \u2013 Institutional Engagement<\/a>
\nREVIEW Sawa Takashi: Malevolent set-building<\/a>\nPICKS Magic in the Moonlight<\/a>\nPICKS Birdman: Or (The Unexpected Virtue of Ignorance)<\/a>\nREVIEW Fukunaga Shin: For the First Kyoto International Festival of Contemporary Culture<\/a>\nPICKS Papusza<\/a>\nPICKS Hard to be a God<\/a>
\nPICKS phono\/graph -sound, letters, graphics-<\/a>\nREVIEW Asada Akira: PARA-PARASOPHIA: On the sidelines at the Kyoto International Festival of Contemporary Culture<\/a>\nPICKS The Imitation Game<\/a>
\nPICKS The Theory of Everything<\/a>\nPICKS Song One<\/a>
\nKyoto Movie Map (ART GRID KYOTO)<\/a>\nREVIEW Asada Akira:The Paris terror attacks and Michel Houellebecq\u2019s Submission<\/em><\/a>
\nREVIEW Hashimoto Azusa: Opening the ears to myriad musical possibilities – Asian Meeting Festival 2015, Kyoto<\/a>\nPICKS T\u00e9T\u00e9 Japan Tour 2015: Folky Quirky Tour with Kim Wooyong<\/a>\nPICKS PARASOPHIA: Kyoto International Festival of Contemporary Culture 2015<\/a>\nPICKS Life of Riley<\/a>
\nPICKS Shoah<\/a>
\nPICKS Still Life<\/a>
\nPICKS The Disappearance of Eleanor Rigby<\/a>\nPICKS Elena + The Banishment<\/a>
\nPICKS Adieu au Langage<\/a>
\nPICKS MOVING 2015<\/a>
\nPICKS Big Eyes<\/a>
\nPICKS Yoshida Shrine Setsubun Festival<\/a>
\nPICKS Alive Inside<\/a>\nPICKS National Gallery<\/a>
\nPICKS Jimmy\u2019s Hall<\/a>
\nPICKS Creators@Kamogawa<\/a>
\nPICKS Mittsommernachtstango<\/a>
\nPICKS Fiona Tan Terminology<\/a>\nPICKS The Hanshin\/Awaji Earthquake: 20 Years After<\/a>\nPICKS Map to the Stars<\/a>\nPICKS Venus in Fur<\/a>
\nREVIEW Hirayoshi Yukihiro \/ Odani Motohiko: Terminal Moment<\/a>
\nPICKS Creators@Kamogawa<\/a>
\nPICKS The Young and Prodigious T.S. Spivet<\/a>\nPICKS Devil\u2019s Knot<\/a>
\nPICKS NOVEMBER SESSION 2014\u3008DENMARK\u00d7JAPAN\u3009<\/a>
\nPICKS Calm at Sea<\/a>
\nPICKS The Double<\/a>
\nREVIEW Asada Akira: Doris Salcedo in Hiroshima<\/a>
\nPICKS Hitakisai (Bonfire Festival)<\/a>
\nPICKS Morishita Maki \u00d7 Tabaimo \u201cSabi kara deta mi\u201d<\/a>
\nPICKS Tom \u00e0 la ferme<\/a>
\nPICKS Jealousy<\/a>
\nPICKS Himself He Cooks<\/a>
\nPICKS The 38th Kyoto Antiquarian Book Fair<\/a>\nPICKS Kurama Fire Festival<\/a>
\nPICKS KYOTO EXPERIMENT 2014 Official Program \/ Kaneuji Teppei \u201cCubed Liquid, Metallic Memory\u201d<\/a>\nPicks The Notebook<\/a>
\nPicks Outside a Window Awaits a Journey of Love<\/a>
\nPicks Leviathan<\/a>\nPicks Peter Brook \u2013 The Tightrope<\/a>\nPicks Nuit Blanche Kyoto 2014<\/a>
\nPicks Zuiki Matsuri<\/a>
\nPicks My Stuff<\/a>
\nPicks Yves Saint Laurent<\/a>
\nPicks The Missing Picture<\/a>
\nPicks Stories We Tell<\/a>
\nPicks [Japan-Germany Creator’s TALK] Creators@Kamogawa \u201cMemory and Recording\u201d<\/a>\nPicks Kamigamo-Jinja Shrine \u2013 Choyo Jinji and Crow Sumo<\/a>
\nPicks mama!milk Tokinoatosaki<\/a>
\nPicks Promised Land<\/a>
\nPicks Into Great Silence<\/a>
\nKyoto Trend Setter Interview Series Markus Wernhard (Director, Goethe-Institut Villa Kamogawa)<\/a>\nPicks The Queen of Versailles<\/a>
\nPicks Gozan Okuribi<\/a>
\nPicks Nora Chipaumire \u201cPortrait of Myself as My Father\u201d \u201cNeppu\u201d<\/a>\nPicks Ida<\/a>
\nPicks The 27th Shimogamo Noryo Secondhand Book Fair<\/a>\nPicks MOVING Live 0<\/a>
\nPicks Kyoto Gojozaka Pottery Festival 2014<\/a>
\nPicks KYOTO EXPERIMENT 2014<\/a>
\nPicks Balthus: A Retrospective<\/a>\nPicks GUTAI \u00d7 INTERNATIONAL Gutai Umi wo Wataru<\/a>
\nPicks \u2018Til Madness do us Part<\/a>
\nREVIEW Shimizu Minoru:Moving outside la chambre claire (Camera Lucida) -Takatani Shiro Topograph\/ frost frame Europe 1987 )<\/a><\/strong>\nREVIEW Ukai Satoshi: Stunned and in stitches \u2013 the lingering aftereffects of \u201cLady Aoi\u201d and \u201cThe Double Shadow\u201d (Watanabe Moriaki\/Takatani Shiro)<\/a><\/strong>\nREVIEW Ishitani Haruhiro: Time machine in a black box\u2014William Kentridge’s Refusal of Time<\/a><\/strong>\nConversation between Nakahara Kodai and Sekiguchi Atsuhito : 2. In Kyoto<\/a>
\nConversations between Nakahara Kodai and Sekiguchi Atsuhito : 1. \u201cKODAI NAKAHARA: Migration or Retrospective\u201d (Okayama Prefectural Museum of Art)<\/a>\n

REVIEW Kataoka Mami: A universal view of the world built upon human closeness:
\nDoes \u201clittle\u201d mean \u201clittle\u201d?<\/em><\/strong><\/a><\/p>\n

What’s New:<\/p>\n

PICKS ART Realizing the Dream<\/em><\/strong><\/a><\/p>\n

PICKS ART INAGAKI Tomoko: Project \u201cMirrors\u201d<\/em><\/strong><\/a><\/p>\n

PICKS MOVIE Robert Bresson: Four Nights of a Dreamer<\/em><\/strong><\/a><\/p>\n

PICKS ART KIMURA Yuki: Interior 6L01\u301c107T<\/em><\/strong><\/a><\/p>\n

PICKS STAGE 22nd Metro Kohaku Singing Contest<\/strong><\/a><\/p>\n

REVIEW Ozaki Tetsuya: Miyanaga Aiko: Nakasora \u2013 The Reason for Eternity<\/em><\/strong><\/a><\/p>\n

REVIEW Fukunaga Shin: Four artists from Her Name is Abstra<\/em><\/strong><\/a><\/p>\n

REVIEW Sato Yuichi: Mallarm\u00e9\u2019s Panel: About Mallarm\u00e9 Project III<\/em><\/strong><\/a><\/p>\n

ARTICLE Miyanaga Aiko: On Naka-sora<\/em><\/strong><\/a><\/p>\n

ARTICLE An Interview with Asai Yusuke (Artist)<\/strong><\/a><\/p>","protected":false},"excerpt":{"rendered":"

To our readers REVIEW Asada Akira: Waiting for Currentzis ARTICLE the post-COVID-19 World: Hidetaka Ishida ARTICLE Aichi Triennale 2019 Talk: HO Tzu Nyen (AT2019 artist) \u00d7 ASADA Akira (Critic) \/ On Hotel Aporia PICKS The 37th Great Spring Second-Hand Book Sale PICKS Hitakisai (Bonfire Festival) PICKS Kurama Fire Festival PICKS Jidai Matsuri PICKS Zuiki Matsuri PICKS Nuit Blanche KYOTO 2018 PICKS Kyoto Experiment 2018 PICKS Kamigamo-Jinja Shrine \u2013 Choyo Jinji and Crow Sumo PICKS Gozan Okuribi PICKS The 31th Shimogamo Noryo Secondhand Book Fair PICKS Kyoto Gojozaka Pottery Festival PICKS Brigsby Bear PICKS Gion Festival PICKS Nagoshi no Oharae \/ Great Mid-Year Purification PICKS The Myriad Forms of Visual Art: […]<\/p>\n","protected":false},"author":1001055,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"toppage.php","meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/realkyoto.jp\/en\/wp-json\/wp\/v2\/pages\/399"}],"collection":[{"href":"https:\/\/realkyoto.jp\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/realkyoto.jp\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/realkyoto.jp\/en\/wp-json\/wp\/v2\/users\/1001055"}],"replies":[{"embeddable":true,"href":"https:\/\/realkyoto.jp\/en\/wp-json\/wp\/v2\/comments?post=399"}],"version-history":[{"count":0,"href":"https:\/\/realkyoto.jp\/en\/wp-json\/wp\/v2\/pages\/399\/revisions"}],"wp:attachment":[{"href":"https:\/\/realkyoto.jp\/en\/wp-json\/wp\/v2\/media?parent=399"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}