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Waiting for Currentzis
Waiting for Currentzis
Review by Asada Akira My live experience of Teodor Currentzis and musicAeterna was at the Osaka Festival Ha...
Another narrative – In the blank space of “Abstract Art as Impact”:  Okazaki Kenjiro
Another narrative – In the bla
Shimizu Minoru The Toyota Municipal Museum of Art’s collection includes just one example of American ...
The world debut of Damien Jalet and Nawa Kohei’s VESSEL
The world debut of Damien Jale
Reviewed by Ozaki Tetsuya Out of inky gloom looms a voluminous white installation, resembling a flower fall...
A review of the Shingu performance of <em>Nichirin no tsubasa</em>, with art and direction by Yanagi Miwa
A review of the Shingu perform
Saito Tamaki On August 6, 2016, after giving a lecture at Kumano University, my first visit there, I attend...
Jump over the line: On Furuhashi Teiji’s eternal <em>LOVERS</em>
Jump over the line: On Furuhas
Ishitani Haruhiro From July 9, 2016 Furuhashi Teiji’s LOVERS will be presented in Kyoto for the first time ...
Trisha Brown Dance Company review </br>The power of a smile
Trisha Brown Dance Company rev
Okazaki Kenjiro No matter how white and neutral it may look, these days no one believes the art museum to b...
Takatani Shiro’s <em>ST/LL</em>
Takatani Shiro's ST/LL
Asada Akira On the stage, a long table is positioned lengthways as seen from the audience atop a black floo...
Molds and infra-thin: Okazaki Kazuo/Onishi Nobuaki  “Born Twice” – A review
Molds and infra-thin: Okazaki
Hirayoshi Yukihiro “The depth and breadth of expression through objects,” “the unconventional world of art ...
Dojima River Biennale 2015 Take Me To The River
Dojima River Biennale 2015 Tak
Ishitani Haruhiro In the summer of 2015, Osaka is cool. The National Museum of Art, Osaka is offering ̶...
Wolfgang Tillmans   /  “Your Body is Yours” </br>The world’s smaller details, “encouragement” for the out of place
Wolfgang Tillmans / "Your B
Miyagi Futoshi Leaving Okinawa at eighteen or so for vocational college in Osaka and living on my own for t...
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