Moving outside la chambre claire (Camera Lucida) -Takatani Shiro <em> Topograph/ frost frame Europe 1987 </em>)
Moving outside la chambre clai
Shimizu Minoru Entering the exhibition space on the second floor of the gallery, you see Topograph / La cha...
Stunned and in stitches – the lingering aftereffects of <em>Lady Aoi</em> and <em>The Double Shadow</em> (Watanabe Moriaki / Takatani Shiro)
Stunned and in stitches - the
Ukai Satoshi What exactly was that I saw? Three weeks on and the stunned, almost shellshocked sensation has...
Time machine in a black box—William Kentridge’s <em>Refusal of Time</em>
Time machine in a black box—Wi
Ishitani Haruhiro   Whispers of the name William Kentridge have become increasingly audible in the con...
A universal view of the world built upon human closeness: </br>Does “little” mean “little”?
A universal view of the world
Kataoka Mami Avid collector of contemporary art Rudy Tseng took early retirement from his executive positio...
That-which-will-always-be / Observations on <em>Miyanaga Aiko: Nakasora – The Reason for Eternity</em>
That-which-will-always-be /
Ozaki Tetsya The gallery spaces on the B2 floor of the National Museum of Art, Osaka are notoriously hard t...
Four artists from <em>Her Name is Abstra</em>
Four artists from Her Name is
Fukunaga Shin Every one of the twelve artists featured in Abstra would be capable of staging a show individ...
Mallarmé’s Panel: About Mallarmé Project III
Mallarmé's Panel: About Mallar
SATO Yuichi Stéphane MALLARMÉ’s Igitur was recently performed  as part of Mallarmé Project III (at Ky...